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Textile Development
Print Design & Process

Print Design 01: Lumen Print

Developed through an experimental lumen printing process, roses are arranged on photosensitive paper and exposed to sunlight, allowing color and form to emerge naturally.
The ephemeral, light-generated imagery is translated onto sequins, creating a surface that balances delicacy with dimensional texture.

Print Design 02: Collages

This textile is developed through a collage of self-shot research images, inspired by Outside In by photographer Stephen Gill.
It captures a perspective that elevates fleeting, everyday moments, layering raw scenes of daily life with wildflowers into a printed composition.

Print Design 03 : Half- tone pattern

Developed from images captured at Kew Gardens, this textile reinterprets botanical subjects shot on a digital camera through halftone pattern manipulation.
By combining an observational, documentary approach with digital editing, the print translates natural color and texture into a graphic visual language.

Print Design 04: Repeat pattern

This floral pattern is inspired by an imagined dreamlike garden, developed as a repeat textile through the creation and systematic arrangement of a single motif.
Combining digital printing with selective puff binder screen printing, the design enhances organic forms and decorative elements while introducing a subtle dimensional texture.

Print Design 05: Illustration

This print design is inspired by the texture of torn wallpaper, developed from hand-drawn elements and refined through digital tools (Adobe Illustrator).
Executed using screen printing with two types of binders, including puff binder to enhance dimensionality, the design is also adapted for laser-cutting applications.

Screen Print Transfer

Research & Design

Research Drawing

Laser Cutting Design

Print Design 06: Tunes

This graphic design is developed from distortions and glitches generated through panoramic photo experiments, where fragmented T-shirt forms were perceived as musical notations.
The continuous flow of visual errors is translated into rhythmic compositions, evolving into linear and fluid motifs that evoke a sense of musicality.

Research, Inspired destroyed images

Research, Inspired destroyed images

Print Design 07: Scan Art

This print design is developed through scan-based experimentation, where roses and lilies are moved across a scanner to generate unpredictable forms.
The process captures distortion shaped by time and motion, transforming floral imagery into a newly constructed pattern.

Process

Print Design 08: Scaned Collages

Developed as part of a project with LVMH, this textile is created by scanning and collaging waste materials collected from the River Thames.
Realized through UV digital printing on sustainable fabric, the design is driven by chance and materiality, recontextualizing discarded objects with new visual value and narrative.

Print Design 09: Art Nouveau Repeat Pattern

As an extension of the LVMH project, this repeat pattern reinterprets waste materials collected from the River Thames through an Art Nouveau lens.
Discarded objects are transformed into ornamental, organic motifs, creating a contrast between waste and decoration while proposing a new aesthetic value.

Print Design 10: Excel Art

This graphic design is developed through ‘Excel art’, utilizing the cell-based grid system to construct imagery at a pixel level.
By translating a functional digital interface into a visual language, the design reinterprets an everyday tool into a playful and experimental textile.

Process